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Thursday, January 30, 2025

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      • The 23rd Annual Parnelli Awards | Live Design Online
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      • Theater Blog Roundup: Assessing 2024, Avoiding 2025.
      • Dolly Parton’s Musical About Her Life to Open in N...
      • Cut More, Achieve More: The Power of The Anti-Todo...
      • Ghostbusters – Frozen Empire: Slimer – VFX Showree...
      • Matthews Playhouse’s ‘Bright Star’ Shines Zestfully
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      • Creative Cauldron to celebrate theater grand openi...
      • Stage adaptation of Coraline cancelled after alleg...
      • Hudson Valley Shakespeare Receives The Ziegfeld Cl...
      • Pulitzer Winner Fat Ham Sets European Premiere at ...
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      • Copyright Office Offers Assurances on AI Filmmakin...
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      • How does the federal grant pause affect NEA grant ...
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      • Circus version of Swan Lake touches down at Meridi...
      • “Making Films in Iran Is Not an Easy Task at All”:...
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      • Sleep No More Props, Scenery Up For Auction
      • Here Come the Sara Bareilles Awards
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      • John Carpenter Announces Halloween Concert Residency
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      • My heart will go onstage: Céline Dion and Dolly Pa...
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      • Aztec Avengers: ‘Quetzali’ Takes Flight at Lexingt...
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      • Not Forgotten: U.S. Premiere Illuminates Contribut...
      • Deborah F. Rutter will step down as president of K...
      • Central dust collection
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      • 7 Surprisingly Busy Days in the Life of an Experim...
      • In ‘Eureka Day,’ a Scene About Vaccines Devolves, ...
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      • When the Lights Come On brings queer nightlife out...
      • ISE 2025: Interview with Mike Blackman
      • Playwright Vanessa Severo finds deeply personal co...
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